Karma

I'm delighted to present this jury prize to a work that masterfully amplifies the essence of its site. This piece harmonizes the nostalgia of Jusan’s disappearing neon lights with synchronized animations that feel deeply attuned to the environment. The animation breathes life into the murals, bridging past and present, while the thoughtfully chosen music elevates the experience greatly. The homage to Pharoah Sanders resonates profoundly, creating a tapestry of sound and imagery that captures the soul of jazz and the spirit of a community in transition. This is a poignant and beautifully executed piece, a true celebration of place, memory, and hope.

There were many wonderful works, making the judging process very challenging. However, as TOKYU Corporation—a company engaged in community development—I chose Shinya Hasebe’s “Karma” from the perspective of “being the element that most enhances the value of that space.” I was deeply moved by the beauty of this series of projects, in which a dystopian space born out of the COVID-19 pandemic is transformed into a utopia through the power of creators and artists. (Incidentally, “Karma” inspired me to delve further into research on the city of Jūsan, the Yodobashi Project, and Pharaoh Sanders.)

This work involved a collaboration with physical wall art, and it reaffirmed my realization that urban spaces are full of mediators that can facilitate creative collaborations. I look forward to many more wonderful collaborations in the future.